By Variable Matter with spatial sound score by James Bulley
26–28 April: Havering Changing, Orchard Village Square, UK (10am–6pm)
3–5 May: Havering Changing, Highfield Towers, UK (11am–7pm)
11–12 May: Norfolk and Norwich Festival, Norwich City Centre, UK
16–17 May 2024: Brighton Festival, Moulsecoomb Place, UK (11am–7pm)
18–19 May 2024: Brighton Festival, The Level, UK (10am–6pm)

MARIA

By Nina Danino with sound recording and premix by James Bulley
Premiere, Opera North, 14 December 2023

New York 2050: A Possible Future

By Superflux with spatial sound score by James Bulley
13 February–11 August 2024: COAL+ICE, Asia Society, New York, US
September 2023: Action Speakers Summit, New York, US

Distortions in Spacetime

By Marshmallow Laser Feast with sound design and spatialisation by James Bulley
13 October 2023–14 April 2024: Valkhof Museum, Nijmegen, Netherlands
August 2020–December 2022: NXT Museum, Netherlands
18–28 October 2018: Museum of Science and Industry (MOSI), Manchester, United Kingdom
11 September 2018: British Science Festival, Hull, United Kingdom

2023

Breathing With The Forest

3-channel video installation with 20.2 channel spatial sound
By Marshmallow Laser Feast with spatial sound score by James Bulley
December 2023: Shifting Landscapes, Emergence Magazine, Oxo, London

Living Symphonies

24-channel sound installation for a forest ecosystem
With Daniel Jones as Jones/Bulley.
22 April–6 August 2023: Compton Verney, Warwickshire, United Kingdom

Other Rooms, Other Voices

In collaboration with Patch Perez
Co-commissioned by the Albany, Goldsmiths, University of London, and We Are Lewisham (Borough of Culture 2022)
14-15 January 2023: SIML Space, London, UK
14 January–15 February: Online Screening

2022

Maelstrom

96-channel sculptural sound installation as Jones/Bulley
August–December 2022
Science Gallery, Melbourne, Australia

We Live In An Ocean Of Air (VR Edition)

The Rising Sun

Composer & Sound Designer for 51-channel spatial installation work
15–30 July 2022
Romford Market, London, United Kingdom
Variable Matter Studio / David Shearing

Evolver (VR)

Director of Sound, Composer & Sound Designer for collective virtual reality work (6DoF)
10–19 June 2022
World Premiere, Tribeca, New York, USA
Directed by: Marshmallow Laser Feast
In collaboration with: Natan Sinigaglia and Imaginary Friends, James Bulley, Henrik Oppermann and Daisy Lafarge

Executive Producers: Edward R. Pressman, Terrence Malick, Nicole Shanahan, Nell Whitley, Mike Jones, Paula Paizes, René Pinell
Voiceover: Cate Blanchett
Director of Sound, Composer & Sound Designer: James Bulley
Sound Designer & Spatial Sound Artist: Henrik Oppermann
Music: Jonny Greenwood, Meredith Monk, Jóhann Jóhannsson, Howard Skempton Scientific Advisors: Fraunhofer MEVIS, Jennifer Garrison (The Buck Institute), Kinda Studios, The Allen Institute for Cell Science

Evolver (Meditation)

Director of Sound & Sound Designer for collaborative binaural meditation piece with Jon Hopkins
10–19 June 2022
World Premiere, Tribeca, New York, USA
Directed by: Marshmallow Laser Feast
Music by: Jon Hopkins
Spatial mastering: Henrik Oppermann
Voiceover: Cate Blanchett

We Live In An Ocean Of Air (Video Edition)

12.1 channel audiovisual installation
23 May–10 July 2022
Pedion tou Areos-Onassis Foundation, Athens, Greece
Directed by: Marshmallow Laser Feast in collaboration with Natan Sinigaglia and James Bulley
Spatial sound design and composition by James Bulley.

Distortions in Spacetime

Sound design and spatialisation for interactive installation
August 2020–December 2022
Nxt Museum, Amsterdam, Netherlands
By Marshmallow Laser Feast
[tickets here]

2021

Maya

Sound design, dialogue mix and sound mix for feature length documentary film
2021
Directed by Anson Hartford & Jamshid Mojadadi, Produced by Hugh Hartford

A Thousand Fires

Sound design and pre-mix for feature length documentary film
2021
Directed by Saeed Taji Farouky

City of Trees

Sound design and composition for film-sound installation by Matthew Rosier at St Mary Aldemary in the City of London, made in collaboration with the Nyx Ensemble and Laura Misch.
6–11pm, 4–11 November 2021.

Pontefract Giants

Conception, sound score and sound design for film-sound installation with Matthew Rosier at Pontefract Castle, West Yorkshire made in collaboration with Daisy Lafarge.
25–26 September 2021.

Observations on Being

Seven spatial installation works across London Road Cemetery, Coventry
22 June–15 August 2021
A collaboration with Marshmallow Laser Feast, Daisy Lafarge and Natan Sinigaglia
Music: Jon Hopkins, Malibu, Suzanne Ciani, James Bulley, Longplayer
Commissioned by: Coventry City of Culture Trust and York Mediale

Practice Research in England (Reports)

Postdoctoral research project (2018–2021) with Dr Özden Şahin, comprising of the publication of two reports 'What is practice research' and 'How can practice research be shared?' Commissioned by PRAG-UK and Research England (UKRI)
Publication date: 1 April 2021

And There Was Brian

Audio monument by G Atkins, sound design and composition
2018–ongoing
Parliament Square, London, UK

2020

The Tides Within Us

Sound score, Sound design and spatialisation for interactive installation
9 May–21 October 2021
York Art Gallery, York
By Marshmallow Laser Feast

DAWNS

Composition for quintet at dawn, 55'
16 May 2020 (Premiere)
Commissioned by National Trust and non zero one

Ayouni

Score and sound design for film
February 2020
Directed by Yasmin Fedda

Turn of the Screw

Composition, arrangement and spatialisation of Benjamin Britten’s ‘Turn of the Screw,’ recorded in Yorkshire Sculpture Park in November 2019, for immersive online trailer
January 2020
Commissioned by Opera North, visuals by Lusion

2019

Cathedral of Nature

Composition and spatial design for interactive installation
8 November–13 December, 2019
chi K11 art museum, Shanghai, China
By Marshmallow Laser Feast

Ness

Sound design for film
December 2019
Directed by Adam Scovell, with Robert Macfarlane and Stanley Donwood
Music by Drew Mulholland

Contact Journal

Digitisation and open access release of 34 issues of Contact: A Journal for Contemporary Music (1971-1990)
October 2019 (public launch)
Funded by Goldsmiths, University of London

Living Symphonies

24-channel sound installation for forest ecosystems
20–28 July 2019
Epping Forest, London, UK
With Daniel Jones as Jones/Bulley.

Progress Music

9-channel film-sound installation
4–13 July 2019
Yan Tan Tether, Huddersfield, UK

Longplayer Day 2019

Curation of programme of new commissions, performances, talks, publications and collective activities
20 June 2019
Various venues fron Goldsmiths, University of London to Trinity Buoy Wharf, London, UK
Co-curated with Helen Frosi and Philip Serfaty.

Metonymy Op.1 & Op.2

Drawn-sound compositions for the Mini-Oramics synthesiser
5 June 2019 (Premiere)
Commissioned by Bricks From The Kiln

Horniman x Goldsmiths

Curation of Longplayer listening post and co-curation of iterative work
21 March 2019
Horniman Museum, London, UK
‘During: Adaptive Rhythm’ by Appau Jnr Boakye-Yiadom, with Black Tower Projects

A Home Away From Home

Sound design for exhibition
February 2019
The India Club, London, UK
Curated by National Trust, exhibition design by Lyn Atelier

We Live in an Ocean of Air

Sound design for trailer, sound mix for interactive installation
January 2019
Saatchi Gallery, London
By Marshmallow Laser Feast

Nest

Sound design and spatialisation for installation
11–13 January 2019
Lloyd Park, Waltham Forest, Borough of Culture, UK
By Marshmallow Laser Feast and Erland Cooper

2018

Doctoral Thesis — Sounding Materiality: Explorations in Resonant Practice

Doctoral researcher and graduate representative for the Unit for Sound Practice Research.
September 2010–August 2018
Sonic Arts, Department of Music, Goldsmiths, University of London

Still Point

Performance of realisation of Daphne Oram's 'Still Point' in collaboration with Shiva Feshareki and the London Contemporary Orchestra.
23 July 2018
BBC Prom 13, Royal Albert Hall, London, UK

Hampton Court Palace

Sound design for multiple installations throughout Hampton Court Palace
May 2018
Commissioned by Historic Royal Palaces with Chomko&Rosier

2017

E-LIFE

Score, sound design, and dialogue editing for film
December 2017
Directed by Edward Scott-Clarke

Black Rock

Score and sound design for scenographic work
16:00 / 17:30 / 19:00 / 20:30, 10–11 November 2017
stage@leeds, Leeds, United Kingdom
By David Shearing

Island

Score, sound design and location recording for film
October 2017, premiere
Directed by Steven Eastwood

The Interval and the Instant

Score, sound design and location recording for installation
7 October–26 November 2017
Directed by Steven Eastwood
Fabrica, Brighton, United Kingdom

Longplayer Day 2017

Performances, talks and screenings, co-curated with Helen Frosi
21 June 2017
Various venues – Goldsmiths, University of London to Trinity Buoy Wharf, London, UK

British Library 'The Book: Bob Cobbing's ABC in Sound'

Workshop leader with Helen Frosi exploring Bob Cobbing's 'ABC in Sound'
1 April 2017
British Library, London, UK

Progress Music

Generative film-sound installation
28 March–3 April 2017
Part of the Book Launch / Exhibition of BRICKS FROM THE KILN #2
Edited by Andrew Lister & Matthew Stuart

2016

Tactus

Talk
Thursday 10 November 2016
Make:Shift Conference, Museum of Science and Industry, Manchester, UK

Living Symphonies

Talk With Daniel Jones as Jones/Bulley
Tuesday 1 November 2016
Free Exchange, Fermynwoods, Northamptonshire, UK

Living Symphonies

Talk With Daniel Jones as Jones/Bulley

Tuesday 27 September 2016
Forest Artworks Conference, Bristol, UK

Othello Suite

Sound installation and score
19 March–18 September 2016
Paccar Gallery, Royal Shakespeare Theatre, Stratford-upon-Avon, UK

Still Point

24 June 2016
St. John Smith's Square, London, UK
Realisation and perofmrnace of Daphne Oram's 'Still Point' in collaboration with Shiva Feshareki and the London Contemporary Orchestra.

The Weather Cafe

Sound composition and spatialisation for installation
1–20 March 2016
By David Shearing
Unit 1, 133–141 The Headrow, Leeds, UK

British Library Soundspinning West Africa

Workshop leader with Helen Frosi as part of the West Africa: Word, Symbol, Song exhibition
5 December 2015
British Library, London, UK

Tactus

20-channel tactile sounding score
18 September–1 January 2016
Kaunas Biennial, Mykolas Žilinskas Art Gallery, Lithuania

2015

The Talking Drum & Hornpipes by Bill Viola

Spatialisation design and installation assistant for Bill Viola
13 October–7 November 2015
Vinyl Factory Space, Brewer Street Car Park, London, UK

Intravox

Sound spatialisation and live composition design for Fred Deakin
1–12 November 2015
Lethaby Gallery, London, UK

Vespers

Sound installation as Jones/Bulley
28 May–1 September 2015
Southbank Centre, London, UK

A Thing Worth Keeping

Sound composition for theatre piece
1 July–31August 2015
New Vic, London, UK

The Panic Office

'Holloway' composition, remixed as part of Thom Yorke's 18-day Subterranea soundtrack for Stanley Donwood's solo exhibition, 'The Panic Office'
21 May–6 June 2015
Carriageworks, Sydney, Australia

Convergence

Panel discussion: The New Digital Wave, chaired by Cecilia Wee
14 March 2015
Institut Francais, London, UK

Bjork Biophilia Live Discussion

Chair of panel discussion: Technology & Electronic Music
6 March 2015
Genesis Cinema, London, UK

Mountaineering

Composition and sound design for theatre piece by non zero one
3–15 February 2015
Roundhouse, London, UK

The Weather Machine

Composition for landscape theatre installation in collaboration with David Shearing
5–7 February 2015
Stage, Leeds, UK

Progress Music

Generative film-sound installation
20–25 January 2015
London Art Fair, London, UK

2014

Something You've Already Seen

Interactive performative installation with non zero one
10 October–5 November 2014
The Fine Art Society, London, UK

Radio Reconstructions

Radio broadcast as Jones/Bulley
29 October 2014
Concertzender Radio, Netherlands

Progress Music

9-channel film-sound installation
4–25 October 2014
South Kiosk, London, UK

Variable 4

8-channel outdoor weather-driven sound installation as Jones/Bulley
5–14 September 2014
b-side Festival, Portland Bill, Dorset, UK

Living Symphonies

24-channel outdoor forest-based sound installation as Jones/Bulley
26 August–7 September 2014
Bedgebury Pinetum, Kent, UK

20 Years of Archive Fever

Sound installation with Anthony Stadlen and G Atkins
12 July 2014
Freud Museum, London, UK

Living Symphonies

24-channel outdoor forest-based sound installation as Jones/Bulley
26 July–1 August 2014
Cannock Chase, Staffordshire, UK

Living Symphonies

24-channel outdoor forest-based sound installation as Jones/Bulley
21–26 June 2014
Fineshade Woods, Northamptonshire, UK

Sound and the City

Curator of sound installation, with Ozden Sahin
9–11 June, 2014
Natural History Museum, London, UK

Living Symphonies

24-channel outdoor forest-based sound installation as Jones/Bulley
24–30 May 2014
Thetford Forest, Norfolk, UK

Histories, Theories and Practices of Sound Art Conference

Conference Director
15–17 May 2014
Goldsmiths, University of London and the Courtauld Institute of Art, UK

2013

Paul Smith App

Sound Design for iPad Application
1 November 2013
iOS App Store

Radio Reconstructions

4-channel radio installation as Jones/Bulley
24 October 2013
South Kiosk 'Vestige', Design Museum, London, UK

Holloway

Soundscape installation with Stanley Donwood
14–31 May 2013
Rough Trade East, London, UK

Tape playback
14 May 2013
Faber & Faber Launch event, Rough Trade, London, UK

Goldsmiths E.M.S. - Sound Arts

Curator
18:30–21:30, 9 May 2013
Queen Elizabeth Hall, London, UK

Radio Reconstructions

Performance as Jones/Bulley
18:30–21:30, 9 May 2013
Queen Elizabeth Hall, London, UK

Radio Reconstructions

Live radio broadcast from installation as Jones/Bulley
8pm, 19 March 2013
Resonance.fm, 104.4FM, London, UK

Radio Reconstructions

Live radio broadcast from installation as Jones/Bulley
8pm, 12 March 2013
Resonance.fm, 104.4FM, London, UK

Radio Reconstructions

Sound installation as Jones/Bulley
6 March–15 April 2013
LimeWharf, London, UK

2012

Pilgrimage

Composition and sound installation for verbatim theatre piece by Matthew Lloyd
16–24 November 2012
Wilton's Music Hall, London, UK

Radio Reconstructions

Performance as Jones/Bulley
26 October 2012
Old Royal Naval College, Greenwich, London, UK

And It All Comes Down To This

Composition and Sound Design for immersive theatre piece by David Shearing
26–29 September 2012
Stage Theatre, Leeds, UK

Radio Reconstructions

Performance as Jones/Bulley
20–27 September 2012
Sho-Zyg, London, UK

51°32'36, -0°3'25

Sound installation as Jones/Bulley for Ella Finer's Where We Meet, Volumes 1 and 2
6–29 September 2012
Galerie8, London, UK

SHO-ZYG

Sound Art Exhibition and Events Programme, co-curated with Kathrine Sandys.
20–27 September 2012
St.James's Hatcham, London, UK

You'll See Me (Sailing In Antarctica)

Composition and Sound Design for performance by non zero one
6–20 July 2012
National Theatre, London, UK

Maelstrom

12-channel sculptural sound installation as Jones/Bulley
16 May–10 June 2012
Museum of Science and Industry, Manchester, UK

Consciousness

Sound design and operation for performance with Marcus Du Sautoy and James Holden
2 March 2012
Barbican Centre, London, UK

xtet

Multi-channel streaming sound installation
2–3 March 2012
Barbican, London, UK

2011

Maelstrom

12-channel sculptural sound installation as Jones/Bulley
24 November 2011
Barbican Gallery, London, UK

This Is Where We Got To When We Came In

Composition and Sound Design for performance piece by non zero one
September 2011
Bush Theatre, Shepherd's Bush, London, UK

Variable 4

8-channel outdoor weather-driven sound installation as Jones/Bulley
22–25 September 2011
Elizabeth Castle, Jersey, UK

Oramics to Electronica

Co-curator
July 2011–12 July 2015
Science Museum, London, UK

Variable 4

8-channel outdoor weather-driven sound installation as Jones/Bulley
28–29 May 2011
Snape Maltings, Suffolk, UK

Tactus

20-channel tactile sounding score
10–12 February 2011
Printworks Trust, London, UK

2010

Variable 4

8-channel outdoor weather-driven sound installation as Jones/Bulley
22–23 May 2010
Dungeness, Kent, UK